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ANOUK DYUSSEMBAYEVA
BLOG: THE FUTURE OF ENTERTAINMENT
Envisioning how the latest trends affect music, film, and gaming industries. Keep up-to-date with the current innovations and learn about disruptive technologies in the field of entertainment.
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Tuesday, March 26
"It's not show art, it's show business": Drew McClellan on the future of film
Tuesday, January 30
The concept of three generations or why Paramount is up for sale
Thursday, August 31
How Nuno Fonseca built an audio startup that Hollywood studios can’t live without
Thursday, August 10
Mark Wherry on 20 years of building tech for Hans Zimmer
Thursday, August 3
How Iceland is revamping its music industry infrastructure
Thursday, July 13
Holonic Systems on redefining music experience with spatial computing
Thursday, June 29
ScoreFollower: Increasing accessibility and exposure for New Music composers
Thursday, June 22
Jon Shelley on how fashion brands can push their legacy forward in web3
Thursday, June 1
My musical coffee experience. Pilot Episode, Part Three
Tuesday, May 16
Drawing as music – challenging notions of art and communication
Thursday, May 11
My musical coffee experience. Pilot Episode, Part Two
Friday, May 5
My musical coffee experience. Pilot Episode, Part One
Tuesday, April 18
B.Earl: getting your story across the metaverse, Marvel multiverse, and the universe
Thursday, April 13
David Boyle talks Audience Strategies, data, and emerging tech
Thursday, April 6
How NewJeans is redefining the identity of K-Pop
Thursday, March 23
Beverly Shih: from UCLA biology major to data scientist at Songtradr
Thursday, March 9
Meet the PR firm behind top music tech companies
Thursday, February 23
Immersion Networks: the future of how audio will be experienced
Thursday, February 9
Mubert: finding product-market fit, building a text-to-music tool, and venturing into new fields
Thursday, February 2
Eric Spivak on running an innovative marketing firm and disrupting the web3 space
Tuesday, January 24
Emeryld releases BLOODLINE EP on Neon Gold Records
Thursday, December 22
APEX Capital on cold winter, investing in the entertainment space, and the rise of web3
Tuesday, October 4
Spotify is going back to its roots
Thursday, September 15
Diving deeper into the tech behind GPU Audio AMD support: interview with AMD
Tuesday, September 13
How iZotope utilizes machine learning to bring cutting-edge audio production tools
Tuesday, August 9
NVIDIA's Jeremy Krinitt talks about innovation, AI, and audio
Saturday, July 30
GPU Audio. The future of the audio industry lies in graphics cards.
Thursday, August 4
Is everyone becoming TikTok?
Tuesday, July 26
Maybe moving local is the answer for Netflix?
Thursday, May 26
LimeWire comes back... as a digital collectibles marketplace
Thursday, May 5
Female composers: Laura Rossi
Thursday, April 7
A conversation with Colin Stetson
Thursday, March 24
Female composers: Evelyne Datl
Thursday, March 17
NFTs are giving artists a way to connect with their fans more deeply
Thursday, March 3
Navigating the world of streaming platforms in 2022
Thursday, February 10
Damien Chazelle, Justin Hurwitz, and the genius intersection of film and music
Tuesday, February 8
Tastemakers in the creative industries: the world of Nuance Mag
Thursday, January 27
How Sony Music's Tat Tong is opening up China's music market to the world
Thursday, January 20
Why you should support your local DJ
Thursday, January 13
Unbundling the music school
Monday, December 27
LMU New Music on the Bluff '22 Call for Music
Thursday, December 23
Five Minutes With Natasha Pasternak, UCLA
Thursday, December 16
Analysis, Cambridge, and why classical concerts need to change
Thursday, December 9
New England Conservatory uncensored
Thursday, August 26
Marcus Norris on building musical community and breaking classical traditions
Thursday, August 19
Belly dancing meets electronic music composition and technology
Thursday, August 12
Musiio is revolutionizing music categorization with AI
Thursday, August 5
Spotify and music listening 10 years from now
Thursday, August 5
Exploring Anthony Constantino's compositional process and his musical authenticity
Thursday, July 29
Richard Causton on composition at Cambridge
Wednesday, July 28
My music experience designer project. BookXperience, Episode One, Part Three.
Thursday, July 22
Fighting for equity: the role of choral music and music education
Wednesday, July 21
My music experience designer project. BookXperience, Episode One, Part Two.
Thursday, July 15
5 things Harvard's Chaya Czernowin suggests you do as an aspiring composer
Thursday, July 8
"You just have to knock on doors." How Alex Oh found opportunities around the world
Wednesday, July 7
My music experience designer project. BookXperience, Episode One, Part One.
Thursday, July 1
Worried about transitioning into music? You're not too late.
Friday, June 18
BTS: a cut above the rest
Thursday, June 10
What it's like to start a composing career at 30
Thursday, May 27
Why people don't experiment and how Oberlin finds those musicians that do
Thursday, May 20
"Everyone can come up with a melody": Yi-Ting Lu on finding her composer self
Thursday, May 13
The tech startup that's trying to define the future of concerts post-pandemic
Thursday, May 6
"Students claim I'm on my ninth career": Gigi Johnson reflects on her journey
Thursday, April 29
How to run 100 PR events and market your music business
Thursday, April 22
What does an ideal music school look like?
Thursday, April 15
Aren't given the opportunity to conduct? Create your own orchestra
Thursday, April 8
How SRH Berlin is moving away from the traditional curriculum model
Thursday, March 25
Mark Baechle on the current state of the music education "funnel"
Thursday, March 11
Jenny Q Chai on the quest to cultivate China's culture of creativity in music
Thursday, March 4
The Wolves of Wall Street are buying out music catalogs
Thursday, February 25
Joshua Ballance uses coding to find patterns isolated by music analysis
Thursday, February 18
A look inside Tianjin Juilliard
Thursday, February 11
Five Minutes With Eleanor Aversa, Berklee College of Music
Wednesday, February 10
Music Startup Q&A: Vampr. Tinder for music collaboration
Thursday, February 4
Why your music career is a startup and how to cultivate it as such
Thursday, January 28
Benjamin Loh on Singapore's Music Scene
Thursday, January 21
“It was too late to resume [violin] studies”: Wan Heo shares her composition journey
Tuesday, January 19
Music in 24-Hours
Thursday, January 14
From Tashkent to Yale School of Music
Thursday, January 7
Thailand New Music and Arts Symposium: What does it mean to be a composer today?
Tuesday, December 29
Making a living as a composer during a global pandemic
Thursday, December 24
Vasily Ratmansky on MSM, Germany’s music scene, and Zoom compositions
Monday, December 21
LMU Online Composition Festival "New Music on the Bluff 21"
Tuesday, December 15
Telematic concerts, computer music, and UCI’s mission to be extraordinary
Friday, December 4
Do you know your ISWC, ISRC, and IPI? No? Then read this
Thursday, November 26
Frost School of Music and its approach to online concerts
Tuesday, October 13
Chase Bethea: pursuing video game composition after being told it's his calling for years
Thursday, October 8
Finding sound in books, or my data science project. Week 5
Tuesday, October 6
What you should know about LMU music program's digital transformation
Thursday, October 1
Minh Khuat on working at Remote Control Productions
Tuesday, September 29
From unmet dreams of being a drummer to leading composer: the story of Christopher Young
Thursday, September 24
Finding sound in books, or my data science project. Week 4
Tuesday, September 22
When most see impediments, Manhattan School of Music sees opportunities
Thursday, September 17
Non-music companies know more about music than musicians do
Tuesday, September 15
Finding sound in books, or my data science project. Week 3
Tuesday, September 8
Finding sound in books, or my data science project. Week 2
Thursday, September 3
Mistakes composers should avoid. Advice from Patrick Kirst
Tuesday, September 1
Finding sound in books, or my data science project
Thursday, August 27
The people that are dominating the culture are from outside the system
Tuesday, August 25
The future for composers lies in audio drama
Tuesday, August 18
Breaking the glass ceiling
Thursday, August 13
How USC Thornton has changed, and here's how you can too
Thursday, July 30
Why it’s time to change the music education system
Thursday, July 23
Inside the Yale School of Music and how it works
Thursday, July 16
Being a female composer in the midst of a pandemic, told by NYU Steinhardt professor
Thursday, July 9
How new opportunities are paving the way for middle-class artists
Tuesday, June 30
What it's like to pursue a PhD in music technology
Tuesday, June 23
"Institutions are encouraging musicians now not to hear what they feel."
Thursday, June 18
Choosing the right music school. Story of a Cornell professor
Tuesday, May 26
Do music schools help you find gigs?
Thursday, May 21
Mubert: how musicians and AI can work together
Tuesday, May 19
Why Covid-19 will entirely change how musicians approach their careers
Thursday, May 14
What you can learn from Purdue Fort Wayne’s approach to education
Tuesday, May 12
Making the most out of your music school experience. Story of NYU student
Wednesday, May 6
How Jacobs School of Music folds entrepreneurship into their school culture
Tuesday, April 21
What is the biggest selling point of the Shepherd School of Music?
Tuesday, April 14
Online audition for Berklee College of Music during Covid-19
Tuesday, April 7
7 Insights from Pete Anthony for future composers
Thursday, April 2
What I’ve learned from being a performance major at Carnegie Mellon
Tuesday, March 31
What it takes to become a film composer. The story of NYU alumni
Tuesday, March 24
How Georgia Tech marries music and technology
Wednesday, March 11
Master’s Degree in Bagpiping and everything else in between
Wednesday, February 19
How NYU Tisch Clive Davis raises creative entrepreneurs
Tuesday, February 11
How much do composers earn in different countries?
Monday, February 3
What's the best school for film composers?
Wednesday, January 29
Side hustle for musicians
Monday, January 27
What I learned writing emails about scholarships to three universities
Friday, January 24
A new way to finance your education
Wednesday, January 22
Weren't offered an audition? Here is how to receive feedback from the college
Monday, January 20
What do composers think about AI?
Saturday, December 21
Creating a hit song based on lyrics analysis
Friday, September 20
How to use Uber's experience in music?
Friday, September 13
How Deep Can We Dive Into Music With Data Science?
Wednesday, March 27
What should the length of a song be to get to Billboard's №1?
Wednesday, April 10
Is K-Pop on the Verge of Extinction?
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